Harmonycrumb at Spike Island, Bristol (exhibition shot). Photo by Dan Weill

The Dream (For Pere Jean / Jeanne d’Arc ) (crop), 2023, acrylic on linen. Photo : Dan Weill

Inner Bark Out (crop), 2022. Photo: Benedict Johnson

Inner Bark Out, 2022. Photo: Benedict Johnson

Inner Bark Out (crop), 2022. Photo : Benedict Johnson

Hold me hold my placard (crop), 2022. Photo : Stephan James Bishop

Broken biscuits, 2022. Photo : Stephan James Bishop

The bramble (crop) 2022. Photo : Stephen James Bishop

The bramble, 2022. Photo: Stephen James Bishop

Be tru to your rec, 2022. Installation detail, Project Native Informant. Photo : Stephan James Bishop

painting installation

Angletwich, 2021. Installation detail Tramway. Photo : Keith Hunter

Angletwich, 2021. Installation detail Tramway. Photo : Keith Hunter

Passing place, 2020. Photo : Rob Harris

Girlhood, 2021. Photo : Keith Hunter

Angletwich, 2020. Installation detail Brighton CCA. Photo : Rob Harris

Angletwich, 2020. Installation detail Brighton CCA. Photo : Rob Harris

Angletwich, 2020. Installation detail Brighton CCA. Photo : Rob Harris

Angletwich, 2020. Installation detail Brighton CCA. Photo : Rob Harris

Angletwich, 2020. Installation detail Brighton CCA. Photo : Rob Harris

War Trousers (crop) 2020. Photo : Keith Hunter

Crazy world ain't it, 2020. Photo : Stephen James Bishop

Poor signal (crop), 2020. Photo : Stephen James Bishop

To be or no to be, 2020. Photo : Stephen James Bishop

To be or no to be (crop), 2020. Photo : Stephen James Bishop

At her table (a struggle), 2020. Photo : Stephen James Bishop

U Bend but its still a trap, 2018. Photo : Stephen James Bishop

Is Now a Good Time?, 2017. Installation detail Cubitt. Photo: Mark Blower

Is Now a Good Time?, 2017. Installation detail Cubitt. Photo: Mark Blower

Pigs in convo, 2017. Photo : Mark Blower

Gristle in the earlobe, 2017. Photo : Mark Blower

Passing objects, 2017. Photo : Mark Blower

Courtesy of the artist and Project Native Informant, London.