The Dreamer (For Charles Marrow) (crop) , acrylic on linen, 2024.
Books full of pockets (For John De Verdion) (crop) , acrylic on linen, 2024.
Project Native Informant at Art Basel, 2024.
Harmonycrumb at Spike Island, Bristol (exhibition shot). Photo by Dan Weill
The Dream (For Pere Jean / Jeanne d’Arc ) (crop), 2023, acrylic on linen. Photo : Dan Weill
Inner Bark Out (crop), 2022. Photo: Benedict Johnson
Inner Bark Out, 2022. Photo: Benedict Johnson
Inner Bark Out (crop), 2022. Photo : Benedict Johnson
Hold me hold my placard (crop), 2022. Photo : Stephan James Bishop
Broken biscuits, 2022. Photo : Stephan James Bishop
The bramble (crop) 2022. Photo : Stephen James Bishop
The bramble, 2022. Photo: Stephen James Bishop
Be tru to your rec, 2022. Installation detail, Project Native Informant. Photo : Stephan James Bishop
Angletwich, 2021. Installation detail Tramway. Photo : Keith Hunter
Angletwich, 2021. Installation detail Tramway. Photo : Keith Hunter
Passing place, 2020. Photo : Rob Harris
Girlhood, 2021. Photo : Keith Hunter
Angletwich, 2020. Installation detail Brighton CCA. Photo : Rob Harris
Angletwich, 2020. Installation detail Brighton CCA. Photo : Rob Harris
Angletwich, 2020. Installation detail Brighton CCA. Photo : Rob Harris
Angletwich, 2020. Installation detail Brighton CCA. Photo : Rob Harris
Angletwich, 2020. Installation detail Brighton CCA. Photo : Rob Harris
War Trousers (crop) 2020. Photo : Keith Hunter
Crazy world ain't it, 2020. Photo : Stephen James Bishop
Poor signal (crop), 2020. Photo : Stephen James Bishop
To be or no to be, 2020. Photo : Stephen James Bishop
To be or no to be (crop), 2020. Photo : Stephen James Bishop
At her table (a struggle), 2020. Photo : Stephen James Bishop
U Bend but its still a trap, 2018. Photo : Stephen James Bishop
Is Now a Good Time?, 2017. Installation detail Cubitt. Photo: Mark Blower
Is Now a Good Time?, 2017. Installation detail Cubitt. Photo: Mark Blower
Pigs in convo, 2017. Photo : Mark Blower
Gristle in the earlobe, 2017. Photo : Mark Blower
Passing objects, 2017. Photo : Mark Blower